Extra thick, double short crayons, specially for children's small hands. Double Little Thumbs stimulate children's fine motor skills. You have 16 different colours in 8 crayons, and twice the colouring fun.

“A Milanese Napolitaine, one, for table five!” yelled the waiter in the direction of the kitchen where the famous chef, Rodolfo Monti, was tasting his world famous recipe known as “Spaghetti Putanesca with stinging nettle sauce”.

“Mmmh questo é eccellente, straordinario, splendido, incomparabile !” the chef exclaimed in ecstasy as a long strand of “spaghetti al dente” disappeared noisily, swallowed up in his mouth.

“Two lasagnas à la bolognaise, two, for the seven!” shouted again the head waiter with a new order.

“Wait un pó, I’m not una machina! ” steamed the “ maestro ” while he tasted his sixth spaghetti dripping with sauce.

“Humm, it’s ‘incommensurabile’, exquisite, exceptional, “ favolosi ”! the chef couldn’t stop from repeating himself with his mouth full, while dunking a hunk of bread in the sublime sauce and wiping his mustache with his sleeve.

FO 85500 – 19 x 18 x 41 cm (LWH)

A different colour at each end. It looks as if there are 12 pencils, but ther are really 24 bright, fresh colours and twice as much colouring fun.

Contents: 10 bottles 16 ml (100-205-227-311-318-411-501-506-602-737)

Tortilions: Also used for shading off

Stumps: Shades off details or large areas of colours

Code: 646217500850

Tortilions: Also used for shading off

Code: 3013645002077

Code: 3013645001292

Code: 3013645001308

Code: 3013645001315

Water colour varnish
It is not usually necessary to varnish a water colour. A water colour is normally framed behind
glass or sealed in some other way. If there is, however, a particular reason to provide a water colour with maximum protection against moisture, for example moist fingers, then a varnish is
certainly advised.

Fixatives for pastels
A range of auxiliaries is available for a better adhesion of the colour or to protect the work for working with pastel, charcoal, chalk and pencils. For dry types of pastels and drawing materials, these are fixatives.

With Twinpoints, you have twice as much colouring fun. It looks as if there are 20 pens, but there are really 40.

With these fun printed markers you can draw and colour, producing beautiful creations on fabric.

Available in 45 colours

DOWNLOAD THE COLOUR CHART

Available in 45 colours.

DOWNLOAD THE COLOUR CHART

Contents: 6 bottles 16 ml (100-205-397-501-602-737)

Contents:
• 8 bottles 16 ml (100-200-205-311-397-501-506-737)
• 1 mixing slab and 2 mixing bowls

Contents:
• 12 bottles 16 ml (100-200-205-227-311-397-402-501-506-601-602-737)
• mixing bowl

Purpose: Changing the consistency of gouache, making the paint less thixotropic
Composition: Gum arabic dissolved in water

• Makes gouache more transparent
• Increases the gloss
• Increases the elasticity of gouache and thereby reduces the risk of crackling in thicker paint layers

Available in 75 ml.

Tribal-60622FC (512)

Triple coloured pencils are very comfortable to hold. And a wise choice, because the special triangular shape gives children extra grip, so that colouring is more pleasant for them and it flows more smoothly. To sharpen them, use the special Triple coloured pencil sharpener enclosed, then you will be able to enjoy the coloured pencils for even longer.

Special school pack with Triple coloured pencils. This attractive metal classroom tube keeps all coloured pencils neatly together and is ready for immediate use in the group. Triple coloured pencils are a wise choice, because the special triangular shape gives children extra grip. To sharpen them, use the special manual Triple coloured pencil sharpener or the electric Multispits from Bruynzeel, then you will be able to enjoy your coloured pencils for even lon

Special school pack. If you want to enjoy your coloured pencils even longer, then choose a sturdy storage system in the classroom. Triple coloured pencils are the responsible choice, and the special triangular shape gives children extra grip. To sharpen them, use the special manual Triple coloured pencil sharpener or the electric Multispits from Bruynzeel, then you will be able to enjoy your coloured pencils for even longer.

Special school pack with high-quality fibre tip pens. This attractive metal classroom tube keeps all felt tips neatly together and is ready for immediate use in the group. The fibre tip pens have a safety cap with ventilation channels. The ink is water-based and will not dry out.

Purpose: Making a universal preparatory coat on various absorbent grounds
Composition: Acrylic resin dispersion, titanium dioxide

• Provides good adhesion for oil colours, acr ylic colours, gouache, etc.
• Suitable for absorbent grounds that are free of dust and grease, such as artistsf canvas, wood, plywood, hardboard, cardboard and paper
• Suitable as preparation for murals on (alkaline) grounds such as fresh concrete, stucco and bricks
• Very absorbent grounds must first be treated with Amsterdam Acrylic binder
• Can be coloured with acr ylic colour
• Thinnable with water
• Dries within a few hours, after 24 hour it can be painted over with oil colour
• Apply at temperatures above 10‹C, do not freeze
• Clean utensils with water

Available in buckets of 1, 5 and 10 litre.

Purpose: Thinning oil colour and cleaning brushes and other artists' materials
Composition: Mineral oil distillate

• Very pure, 100% evaporation; disappears completely from the paint film
• Makes oil paint leaner (use in lower layers)
• Suitable for removing (dr y) varnish coats
• Suitable for dissolving synthetic resins
• Also for thinning mediums and varnishes for oil colour
• Flammable

Available in 75 ml and 250 ml.

Purpose: Thinning oil colour and cleaning brushes and other artistsmaterials
Composition: Mineral oil distillate with the minimum possible content of harmful constituents
Characteristics:
• Odourless
• Drying time somewhat longer than Talens white spirit (090)
• Ver y pure, 100% evaporation; disappears completely from the paint film
• Makes oil paint leaner (use in lower coats)
• Not suitable for removing dry varnish coats

Available in 75 ml and 250 ml.

Purpose: For the artist to make his own paint and painting medium
Composition: Linseed oil

• Increases the gloss and the drying time of the paint film
• Increases the risk of the paint film wrinkling
• Shows less yellowing in dark conditions than Purified linseed oil; the yellowing largely disappears in daylight
• Can be thinned with white spirit or turpentine

Available in 75 ml and 250 ml.

Purpose: For the artist to make his own medium and as an ingredient for a paint formula
Composition: Linseed oil, siccatives

• Increases the gloss and reduces the drying time of the paint film
• Increases the risk of the paint film wrinkling
• Shows strong yellowing in dark conditions, which largely disappears in daylight
• Not to be used as medium in lower layers
• Can be thinned with white spirit or turpentine
• Is darker in colour than the other linseed oils

Available in 75 ml and 250 ml.

Purpose: For the artist to make his own paint and painting medium
Composition: Linseed oil

• Increases the gloss and the drying time of the paint film
• Increases the risk of the paint film wrinkling
• Shows strong yellowing in dark conditions, which largely disappears in daylight
• Can be thinned with white spirit or turpentine

Available in 75 ml and 250 ml.

Purpose: For the artist to make his own paint and painting medium
Composition: Poppy oil

• Virtually non-yellowing, making it ideal for light colours
• Smaller risk of wrinkling than with linseed oil
• Dries more slowly than linseed oil
• Gives a less durable paint film than linseed oil
• Only use in the final coat
• Can be thinned with white spirit or turpentine

Available in 75 ml.

Purpose: For the artist to make his own (glazing) medium and as an ingredient for a paint formula
Composition: Linseed stand oil

• Greatly increases the gloss and the drying time
• Slightly yellowing (between poppy seed and linseed oil)
• Can be thinned with white spirit or turpentine
• Traditional glazing medium
• Not to be used in lower coats when mixed with paint

Available in 75 ml.

Purpose: Increasing the flow and/or transparency of oil colour, and making the paint fatter
Composition: Vegetable oils, synthetic resins, white spirit

• No influence on the drying time of the paint
• Increases the durability and elasticity of the paint film
• Makes the brush stroke run slightly, depending on the amount added
• Increases gloss
• Does not yellow
• Can be thinned with white spirit or turpentine
• Flammable

Available in 75 ml, 250 ml and 1000 ml.

Purpose: Increasing the flow and/or transparency of oil colour, shortening the drying time and making the paint fatter
Composition: Vegetable oils, synthetic resins, white spirit, siccatives

• Increases the durability and elasticity of the paint film
• Makes the brush stroke run, depending on the amount added
• Increases gloss
• Does not yellow
• Can be thinned with white spirit or turpentine
• Flammable

Available in 75 ml, 250 ml and 1000 ml.

Purpose: Increasing the flow and/or transparency of oil colour, making the paint fatter, decreasing the drying time
Composition: Alkyd resin, white spirit

• Increases the durability and elasticity of the paint film
• Makes the brush stroke run, depending on the amount added
• Hardly influences the degree of gloss
• Slightly yellowing
• Can be thinned with white spirit or turpentine
• Suitable as glazing medium
• Flammable

Available in 75 ml.

Purpose: Increasing the flow and transparency of glazing layers in oil colour
Composition: Vegetable oils, synthetic resins, white spirit

• No influence on the drying time of the paint film
• Brush stroke runs
• Increases the gloss
• Does not yellow
• Increases the durability and elasticity of the paint film
• Can be thinned with white spirit or turpentine
• Flammable

Available in 75 ml and 250 ml.

Purpose: Increasing the flow and transparency of glazing layers in oil colour
Composition: Natural balsam, turpentine oil

• Traditional glazing medium
• Increases the drying time of the paint film
• Increases the durability of the paint film
• Makes the brush stroke run, depending on the amount added
• Increases the gloss
• Slightly yellowing
• Can be thinned with white spirit or turpentine
• Flammable

Available in 75 ml and 250 ml.

Purpose: Preventing the wrinkling of thick paint layers, increasing the amount of paint, decreasing the tinting strength and increasing the transparency of oil colour while retaining the viscosity
Composition: Vegetable oils, synthetic resins, thickening mediums, white spirit

• Increases the durability of the paint film
• Slightly reduces the gloss of oil colour
• Reduces the drying time of the paint film
• Does not yellow
• Can be thinned with white spirit or turpentine
• Flammable

Available in 60 ml tube.

Purpose: Reviving sunken-in (matt) areas and providing temporary protection (temporary final varnish) of oil paintings not entirely dry
Composition: Synthetic resin, white spirit

• Apply sparingly
• Does not affect the further drying time of the paint film
• As temporary protective varnish do not apply until after 2-3 months
• Dries in a few hours
• Does not yellow
• Can be thinned with white spirit
• Clean brushes with white spirit
• Highly flammable (in spray can: extremely flammable)

Available in 75 ml, 250 ml, 1000 ml bottle and in 400 ml spray can.

Purpose: Durable protection of an oil painting (final varnish)
Composition bottle: Synthetic resin, turpentine oil, white spirit
Composition spray can: Synthetic resin, white spirit

• Apply when paint film has completely dried (approx. 1 year with normal layer thickness)
• Dries in a few hours
• Does not yellow
• Gives a high gloss
• The gloss can be decreased by mixing with Picture varnish matt 003
• Can be thinned with white spirit or turpentine
• Clean brushes with white spirit or turpentine
• Dry varnish coats can be removed with white spirit or turpentine
• Flammable (in spray can: extremely flammable)

Available in 75 ml, 250 ml and 1000 ml bottle and In 400 ml spray can.

Purpose: Durable protection of an oil painting (final varnish)
Composition bottle: Synthetic resin, turpentine oil, waxes
Composition spray can: Synthetic resin, white spirit, silica

• Apply when paint film has completely dried (approx. 1 year with normal layer thickness)
• When applying with a brush do so in one layer and in one direction
• Dries in a few hours
• Does not yellow
• Varnish in bottle gives a satin gloss, varnish in spray can is matter
• The degree of gloss is increased when mixed with Picture varnish gloss 002
• Can be thinned with turpentine
• Clean brushes with white spirit or turpentine
• Dry varnish coats can be removed with white spirit or turpentine
• If the contents become cloudy place bottle in warm water
• Flammable (in spray can: extremely flammable)

Available in 75 ml, 250 ml and 1000 ml bottle and In 400 ml spray can.

Purpose: Durable protection of an oil painting or acrylic painting (final varnish)
Composition: Acrylic resin, white spirit, turpentine oil

• Apply when paint film has completely dried (with normal layer thickness for oil colour after approx. 1 year, for acrylic paint after 4 to 5 days)
• Dries in a few hours
• Does not yellow
• More flexible than Picture varnish gloss 002
• Gives less gloss than Picture varnish gloss 002
• Mixing with Acr ylic varnish matt 115 reduces the degree of gloss
• Dry varnish coats can be removed with white spirit or turpentine
• Can be thinned with white spirit or turpentine, clean brushes with white spirit or turpentine
• Flammable (in spray can: extremely flammable)

Available in 75 ml bottle and 400 ml spray can.

Purpose: Durable protection of an oil painting or acrylic painting (final varnish)
Composition: Acrylic resin, white spirit,turpentine oil, matting agents (silicas)

• Apply when paint film has completely dried (with normal layer thickness for oil colour after approx. 1 year, for acrylic paint after 4 to 5 days)
• When applying with a brush do so in one layer and in one direction
• Do not use on strongly absorbent grounds
• Does not yellow
• More flexible than Picture varnish matt 003
• Produces a matter look than Picture varnish matt 003
• Mixing with Acr ylic varnish glossy 114 increases the degree of gloss
• Can be thinned with white spirit or turpentine, clean brushes with white spirit or turpentine
• Dry varnish coats can be removed with white spirit or turpentine
• Shake well before use
• Flammable (in spray can: extremely flammable)

Available in 75 ml bottle and 400 ml spray can.

Purpose: Protecting an oil painting
Composition: Dammar resin, turpentine oil

• Traditional final varnish
• Apply when paint film has completely dried (approx. 1 year with normal layer thickness)
• Dries in a few hours
• May show signs of ageing after some time such as yellowing and crackling
• Gives a high gloss
• Mixing with Dammar varnish matt 082 reduces the degree of gloss
• Can be thinned with turpentine, clean brushes with white spirit or turpentine
• Dry varnish coats can be removed with turpentine
• Highly flammable

Available in 75 ml and 250 ml.

Purpose: Protecting an oil painting
Composition: Dammar resin, turpentine oil, matting agents (wax and silica)

• Traditional final varnish
• Apply when paint film has completely dried (approx. 1 year with normal layer thickness)
• Dries in a few hours
• May show signs of ageing after some time such as yellowing and crackling
• Gives a satin gloss
• Apply in one layer and in one direction
• Mixing with Dammar varnish glossy 081 increases the degree of gloss
• Can be thinned with turpentine, clean brushes with turpentine or white spirit
• Dry varnish coats can be removed with turpentine
• Shake well before use
• Highly flammable

Available in 75 ml and 250 ml.

Purpose: Reducing the drying time of oil colours
Composition: Metal compounds, resins, oil, white spirit

• Reduces the elasticity and durability of the paint film, therefore use very sparingly (add maximum 10%)
• Can be thinned with white spirit
• Flammable

Available In 75 ml.

Purpose: Making quick drying relief grounds for oil colour
Composition: Alkyd resin, vegetable oils, titanium dioxide, white spirit

• Hand-dry, depending on the layer thickness, within three days
• Gives a satin gloss when dry
• Can be mixed and overpainted with oil colours
• Also suitable as quick-drying mixing white in oil paint techniques
• Can be thinned with white spirit or turpentine
• Flammable
• Clean utensils with white spirit

Available in 150 ml tube.

Purpose: Making a water mixable casein tempera paint in combination with oil colours
Composition: Casein solution, thickening and matting agents, emulsifier

• Mix 1 part of binder to a maximum of 1 part of oil colour
• Gives a satin gloss when dry
• Dries quickly to a virtually waterproof finish
• Highly suitable for making underpaintings with oil painting techniques

Available in 60 ml tube.

Purpose: Protecting gouache paintings
Composition: Colourless synthetic resin dissolved in, amongst others, white spirit

• Dries water-resistant in a few hours, making the painting less susceptible to moisture
• Increases gloss
• Mixing with Gouache varnish matt 107 reduces the degree of gloss
• Makes colours darker and somewhat more transparent
• Does not yellow
• Can be thinned with white spirit, clean brushes with white spirit
• Highly flammable

Available in 75 ml, 250 ml and 1000 ml.

Purpose: Protecting gouache paintings
Composition: Colourless synthetic resin dissolved in, amongst others, white spirit, matting agents (silicas)

• Dries water-resistant in a few hours, making the painting less susceptible to moisture
• Scarcely changes degree of gloss or opacity of gouache
• Mixing with Gouache varnish glossy 074 increases the degree of gloss
• Causes hardly any colour changes
• Does not yellow
• Ready for use, do not thin
• Apply in one layer and in one direction
• Not suitable for extremely absorbent grounds
• Shake before use
• Clean brushes with white spirit
• Highly flammable

Available in 75 ml.

Grasp 25L
Backpack / Plecak

SIZE: 45 x 30 x 14,5 cm

TROPICAL JUNGLE

72502CP (A127)

Traffic 30L
Backpack / Plecak

SIZE: 38 x 32 x 14  cm

BLACK

84338CP (A132)

KREUL Flexible design stencils for smooth and curved surfaces

Flexible stencils adhere to smooth and curved surfaces, for example, to porcelain or glass items, and can be used several times. Self-adhesive and removable without a trace.

KREUL Flexible design stencils for a negative effect

Flexible stencils provide a negative effect, making them ideal for large-scale application of paint, and can be used several times.

TATTOO Pen
❚For trendy painting on greaseless skin,
❚For going to a party, carnival, child's birthday party, etc.
❚In 7 typical tattoo colors
❚Please close cap immediately after use
❚Water-based cosmetic ink
❚Lasts up to 5 days depending on type of skin
❚Cosmetic-conform according to EC directives

in 7 color shades
with stable soft brush tip – easy to use
Stroke width approx. 0.5–3 mm

TATTOO Stencils
❚ Easy to use: Stick on – Fill in – Peel off
❚ If handled gently, can be used again and again

The powerful motor of the Formula 1 roars like savage beast. In the second lap of the race he is already in the lead. In the cockpit is an inferno. When he has only two laps to go before crossing the finish line, the famous pilot Didier Hoft, feels a tremor in the left front tire and sees a pair of screws flying in the air.

He stops for exactly 4 seconds at the pits where his efficient mechanics, thanks to some duc tape, manage to repair the damage. He immediately takes off like a rocket, spewing thick black smoke and finds himself on the last lap, only one second from the leader.

In the last turn, thanks to an incredible and spectacular maneuver, with several centimeters to the finish line, he succeeds in passing his rival. Thanks to the win, he is crowned the uncontested world champion, ending yet again, another exceptional year.

FO 85054 – 75% limited edition – 49 x 24 x 13 cm

From the radio came a strange music. Frankie raised the volume until the whole car started to vibrate. Susan, at his side, started to move to the rhythm. On the back seat, Danny, Lily, and Ricky began to rock when the voice of the great Elvis surged out between the sound waves.

Along the street, people turned to watch as they went by. The car was a true marvel and the enthusiasm of the five kids was contagious. When they parked on Madison Avenue, they were immediately surrounded by a group of teenagers.

Two police officers, intrigued by the noise, tried to make their way through the crowd who were dancing frenetically, totaling paralyzing traffic. On the sidewalk across the street, an older couple observed the spectacle with a surprised air. The man tossed his head from right to left and the woman covered her mouth with her hand to stifle a frightened scream. Completely discombobulated, they walked more quickly and disappeared after rounding the corner.

FO 85051- 35 x 16 x 12 cm (LWH)

TOP TRIO SWING® container sharpener for pencils and crayons, three hole, with integrated plastic sharpener, twist closure
0959 - 0000: black/silver
0959 - 0050: various colours, neon-colours

The 45 most popular coloured pencils in a handy storage tin, with fun animal illustrations.

The special tip allows you to colour with thin and thick strokes. Including a white eraser pen.

The 45 most popular coloured pencils in a handy storage tin with animal illustration.

DOWNLOAD CATALOGUE

The 45 most popular coloured pencils in a handy storage tin with animal illustration.

DOWNLOAD CATALOGUE

School wasn’t a real passion for the little Richard. The only thing that he really wanted was to drive one day a beautiful automobile.

One morning at school, he was punished for having not done his homework. Extremely angry, his teacher told him that he wouldn’t become of anything in life, that no one would be interested in him and assured him that he would be the laughing stock of the town.

Thirty years later when Lord Richard Walter Eigler bought himself this magnificent sports car equipped with 12 in-line cylinders, a certain jealousy was awakened in his neighbors. His frequent promenades down the streets of Coronda City at the wheel of his splendid automobile drew envious looks and comments. He wasn’t bothered by this, to the contrary, he experienced a subtle and soft trembling of pleasure.

FO 85064 - 29 x 14 x 12 cm (LWH)

Miss Belkys, tapped at her machine with one finger, not understanding anything about computers, speaking no foreign languages, and on top of that hating accounting and business meetings. Despite these “small” inconveniences, the day of her interview with the president, Mr. Raúl López Monti, she stood out among the 25 best educated candidates in the city and obtained, without too much effort, the coveted position of personal secretary.

As always, there were some jealous ones who said it was because of her plunging neckline and tight fitting skirt. Belkys, convinced herself that she earned the position thanks to the intensive marketing course which she took by correspondence at the Institute of Middle Studies in Tijuana.

The following day and in a rush, the president left with her on a “business trip” for a week at ParadiseBeach, a trip that finally had to be extended to a month.

Back to the office, the new secretary asked for a raise which was immediately granted. Moreover, her boss announced that she had been an excellent assistant despite the fact that she hadn’t taken a single note because she had forgotten all the files at the office.

FO 85044 – 100% limited edition - 64 x 29 x 23 cm (LWH)

FO 85045 - 34 x 15 x 12 cm (LWH)

After having won the lottery, Charlie and Pete insisted that they be addressed as Charles Edward and Pierre Henri. The first thing they did was to buy some designer brand clothes, ‘Hollywood’ style sunglasses, and a tanning lamp so they could have that perfect “Caribbean” tan. They had the hair removed from their chests and backsides and started using anti-wrinkle cream. They didn’t forget to buy flamboyant gold watches and to top everything off, they bought themselves the very best, their dream car, a collector’s convertible that became the envy of the neighborhood.

They went out for a ride around town pretending to be VIPs. They stopped at a street corner with the music full blast. Talking very loud, they exchanged the 5 or 6 words in French that they knew. Seeing two sculptured beauties approaching, they said to themselves, “these two are ours.”

When the two babes passed in front of them, Charles Edward puffed up his chest, stroke a suave pose, and cocking his head to the side, said “excuse me, girls, haven’t we already see each other somewhere?”

The two girls completely ignored him, and without saying a word, continued their way.

Desperate, Pierre Henri, risked throwing in, “uh, girls you wouldn’t like to take a little car ride, would you?” And he heard one girl saying to the other “just where do these clowns come from?”

After an hour without having the slightest success, Charlie said “And what if we went to have a beer?” “Ehh, sure, why not?” answered Pete.

Their heads down and dragging their feet, they went in the direction of the corner bar to finish the night as usual.

FO 85058 - 35 x 18 x 13 cm (LWH)

Doctor Jorge Perochena never liked playing tennis. To him it was a boring game which only consisted in hitting a little yellow ball.

But the day he learned that the vivacious Adriana Harari loved the sport, he enrolled right away in an intensive course at the Roland Club Tennis, bought himself a top of the line racket, smart looking shorts, a Crocodile shirt and tennis shoes with air cushioned heels. A week later, he invited her to play a friendly match.

Jorge lost the match in two sets, 6-0/6-0, but did manage to hit the ball three times keeping it in the court once. All that was unimportant to him because on that day he obtained his goal: cruise on his scooter with the superb Adriana on the back, her arms tightly wrapped around him.

FO 85047 - 18 x 9 x 16 cm (LWH)

The majestic Rolls Royce glided without making a sound along the roads of the town of Mar del Plata. Daisy, the little Pekinese of Lady Marta Spelanzon, Duchesse de Plataci, dozed on the back seat at the side of her mistress.

“Perkins”, said Lady Marta to her chauffer, “Please drive slower, you are going to mess up the hair of my little Daisy.”

Perkins, raised an eyebrow, glanced in his rear view mirror, raised his foot a little off the accelerator and asked, “Does this speed suit Madame?”

The Duchesse, without saying a word, caressed Daisy’s diamond collar, lifted her head and drew a long smoke on her cigarette holder. The tip of the cigarette turned an incandescent red. Lady Marta, couldn’t hide a small smile of satisfaction, and a gentle spiral of smoke enveloped her capeline hat.

FO 85053 - 39 x 14 x 13 cm (LWH)

Even if it looked like rain, Bob wanted to play golf at all costs. It really wasn’t easy, but he managed to convince Steve, his best friend, to play a game. After having selected the perfect club for a rainy day, Bob prepared for his first swing when a black cloud began to cover the sky. He raised the club above his shoulders in a perfect backswing. A few small drops began to wet the green, but he concentrated on where he was going to hit the ball, he raised his iron a little higher when….lightening struck barely ten meters away. Even if he was still shaking three days later, he managed to make the longest drive in history. We still haven’t found the ball.

FO 85075 - 39 x 27 x 34 cm (LWH) 100% limited edition

FO 85076 - 23 x 15 x 20 cm (LWH)

Abel Robino rode unperturbed on his magnificent motorcycle. He knew that women were crazy about him. They adored his beautiful tattoos, his athletic physique and his luring profile. Robino, however, had only eyes for his motorcycle.

The only thing that interested him in the entire world was to speed to SturgisCity to attend, in August, the legendary and fabulous Black Hills Motor Classic.

After 10 years of uninterrupted riding, he had acquired both experience and self confidence, but what he without a doubt had caught, was an insupportable irritation on his rear end. While letting nothing appear on his face, he continued his route expressionless, like a knight of modern times.

FO 85031 – 25 x 10 x 15 cm (LWH)

Calolo Oviedo had always been a dandy. He adored the company of young women with long legs and voluptuous shapes. The day he met Delma, he fell in love immediately, love at first sight. And when the ravishing Delma learned that Mister Oviedo owned many oil wells, she also fell madly in love.

An afternoon of wild passion, Calolo was at the point of sinking his yacht. You should have seen him running, with little hops, from the bow to the stern, in his bathing trunks, with a bottle of Champagne in the hand, chasing the woman of his heart.

What passion! Even if Calolo had to stand on a little bench to kiss his beloved and take pills to maintain his vigor, the fervor of his love was rising like his shares on the stock market. Up until the moment when he passed out and his doctor advised him to calm his love lust.

FO 85048 - 37 x 15 x 12 cm (LWH)

Pascale and Dominique loaded the car with fruit, books, brushes, tubes of oil paint, canvases and an old easel. They went out without any specific direction with the sole desire to find a beautiful landscape to contemplate and to reproduce as a painting.

In the back seat, ‘Aramis’, the dog, jumped for joy on the tubes of oil paint, spraying paint in a ‘happening’ of colors. From the left front wheel came a strange noise, the suspension was in a sorry state, the car paint, rusted and cracked, was a pale reminder of the original color.

The body had suffered over time and had a few good dents, but the engine … ah the engine, with its characteristic musical purr, a feast for the ears, something sublime, magical! What else could we ask? Total happiness!

FO 85066 - 37 x 16 x 18 cm (LWH)

Contents: water colour set 12 x 12 ml (108-200-334-326-504-535-617-602-227-411-409-708), paperblock, 2 brushes, mixing tray, pencil and kneadable eraser.